The Rich History and Meaning of West African Jewelry

Jewelry has been a cornerstone of human culture for centuries, with each civilization leaving its unique mark on the art of adornment. When it comes to jewelry, Africa has a rich and diverse history that cannot be summed up singularly. African jewelry making tells a fascinating story of creativity and resourcefulness. For thousands of years, artisans across the continent have transformed natural materials into stunning pieces of wearable art.

Traditional African jewelry in Addis Ababa

The oldest African jewelry ever discovered was recently found (2004) in the Blombos cave on the southern tip of S. Africa. They are estimated at being over 75 000 years old and are pea-sized, mollusc shell beads that had been pierced.

Materials and Techniques

Traditional African jewelers have always maintained a deep connection with their environment, using materials found in their surroundings.

  • Gemstones from the earth, ranging from jade to quartz, each chosen for their unique properties and cultural significance.
  • Woods like ebony, sandalwood, and african blackwood, prized for their durability and natural beauty.
  • Seeds and nuts, often carved and polished to perfection.

Green African Jade has been prized in traditional jewelry for its remarkable durability and smooth texture. Its natural variations in color create unique patterns in each piece, making every jade-crafted item one of a kind. Wood beads, particularly sandalwood, have played a crucial role in African jewelry making. Their lightweight nature and natural fragrance make them ideal for everyday wear.

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The Significance of Color

In African culture, colors carry deep spiritual and social meaning.

  • Green represents growth, fertility, and connection to the earth. It’s often used in pieces meant to promote prosperity and harmony with nature.
  • Red symbolizes life force, power, and vitality.
  • Blue represents peace, harmony, and spiritual protection.

Trade and Cultural Exchange

The story of African jewelry is deeply intertwined with ancient trade routes that crisscrossed the continent. The famous Trans-Saharan trade routes connected West Africa to North Africa and beyond, introducing new materials like glass beads from Venice and coral from the Mediterranean. These trading networks created fascinating fusions of style. Coastal regions began incorporating imported beads alongside local materials, while inland artisans adapted foreign techniques to work with traditional materials. Different regions developed their own signature techniques, passed down through generations. Some tribes would only work during specific moon phases, while others had sacred ceremonies for material gathering and preparation. Modern jewelry makers continue this rich tradition while adding contemporary elements. A beautiful example of this fusion is our Green African Jade and Green Sandalwood bracelet.

Symbolism and Meaning

Beyond their decorative purpose, African jewelry pieces often carry deep cultural meaning. Colors, materials, and patterns can signify social status, cultural identity, or spiritual beliefs. African jewelry is seldom just ornamental; religion, rituals and ceremonies play a large part. Found objects are often included and can carry personal and symbolic meanings for the wearer. Jewelry was also commonly used to convey individual status. Certain stones were reserved only for chiefs and other royal figures. Those who knew how to keep secrets used certain gemstone juxtapositions to relay coded messages. In some tribes and communities, jewelry also had practical use. Amulets and talismans were also common among various tribes and communities for spiritual and religious purposes, many of which were believed to give positive energy to the wearer, while other pieces of jewelry blocked evil juju. Jewelry was also used to store/transport precious metals like gold.

Colorful African beads

Traditional Forms and Styles

In a traditional sense, African jewelry was worn on the neck, waist, ears, arms, legs, and toes. Jewelry was also worn in the hair and was often pierced, strapped, or sewn onto garments. Popular looks included earrings, nose rings, headdresses, headbands, clasps, corsets, anklets, and more. Traditionally African jewelry has been used to adorn necks, ears, arms, legs, toes, hair and waists and can be pierced, strapped or sewn on.

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Regional Variations

Materials used for jewelry depended on what was available locally although trade systems were in place that allowed for outside influence. Traditional African jewelry is dependent upon three things:

  • what is available locally
  • what has been traded and bartered for over the centuries
  • what the customs and traditions are in the different cultures

Nigeria provides one example, utilizing a lost method of bronze casting which was developed by the Yoruba (13th century). To this day, Southern and Eastern Africa have more open cultures in the sense that inhabitants can wear beaded accessories. However, in Yoruba culture, jewelry remains confined to rulers. Ivory Coast jewelry was created from distinct inspiration. Artisans crafted jewelry that depicted local animals. Wrought iron was used to craft Senufo bracelets that resembled sacred pythons. The Ashanti community fashioned helmets made from stiffened hides, decorated with wood adornments and often gold leaves. Senegalese goldsmiths reached particular heights in their craft, becoming experts in gold manipulation, their creations a fusion of African and European influences.

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Bead Making in West Africa

Bead making is an industry that has long been a part of the West African culture. In the ancient times, beads served a myriad of functions: some were used as a form of currency for goods between tribes, whereas others adorned chiefs and their wives to indicate their wealth and status. Even today, beads hold significance as they are not only a form of artistic expression, but they represent defining life moments, such as birth, marriage, and death. Although the specific history of bead making in Africa has been difficult to trace, archaeologists have discovered that beads in West Africa were derived from different materials, primarily stone, glass, clay, and metal.

The Process of Making Glass Beads

For generations, the techniques employed in the bead making process have been passed down. Oftentimes, whole villages were involved in the general production of beads. From grinding glass, to washing and stringing the finished beads, to selling them to the market, the community was a part of the industry. The Krobo and Ashanti people have long been responsible for crafting beautiful, vibrant glass beads. Making glass beads is no easy process. Despite the fact that different tactics are employed for each type of bead (powdered glass, seed bead, etc.) the initial steps are the same. To begin, a bead maker begins the process by creating the mould, which determines the shape of the bead. To create the mould, the bead maker first pounds the clay with a mortar and pestle until it is pliable. The clay is then rolled into cylindrical shapes where it is then divided into smaller sections, depending on the type of mould being made. Once the clay roll has been made, it is ready to be formed into a mould by taking the slab of clay and patting it flat with a paddle until it is 1 ¼ inches thick. A wooden peg is pressed into the wet clay to form depressions and is left to dry at room temperature for 3-4 days. The Moulds are then sun dried for another 3-4 days and coated in kaolin to prevent the molten glass from sticking to the mould during firing. Finally, the mould is placed in a preheated oven to dry. Next, the bead maker uses the Kiln, used to fire the mould and creating the desired bead. The moulds are inserted into the one opening in the front of the dome shaped kiln. Today, the Krobo region is still well known for the manufacture of glass beads. In fact, Global Mamas jewelry is made in the small town of Odumase-Krobo, located in Eastern Ghana. They employ many Krobo local bead makers who have inherited their skills from past generations.

Manillas: A Symbol of Wealth and Slavery

Most people refer to them as ‘bangles’ however, historically they are known as manillas or okpoho/Okombo/abi. Once a form of currency for West African peoples, manillas would become one of the main currencies of choice during the slave trade to the Americas. While there are many theories surrounding the origin of manillas, it is known that it was worn by women along the West African coast as a symbol of their husband’s wealth. The horseshoe shaped bracelet or ‘bangels’ are often decorated with balls on each end. In its inception, these bracelets/’bangles’ were predominantly made from copper as it was the “red gold” of Africa. Manillas are typically horse-shaped with flared ends. Africans from each region had names for each variety of manilla and were very particular about the types they would accept. They valued the Manillas by the sound they made when struck and used them as the dominant form of currency for many things including everyday market purchases, bride price and burials.

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Collection of Manillas

The main purpose of the manilla - the trading and purchase of slaves- fostered a system where the incoming voyage of Europeans took manillas to West Africa to obtain slaves, who were then taken to the Americas to live a life of bondage. The demise of the slave trade resulted in the prohibition of manillas as a form of currency. A constant reminder and a tangible symbol of slavery and the slave trade, the British initiated a major recall of all manillas and replaced them with the British West African currency. Many of the existing manillas were collected, confiscated and sold as scrap. While many of us in Bermuda and the Caribbean know that these “bangles” are somehow linked to slavery and the slave trade, many of us are unaware of the exact history and circumstances surrounding their usage. Although the size and composition of these “bangles” have changed, their form remains the same. What is interesting about their prevalence and usage today, is that they still hold true to its original purpose of being a symbol of wealth.

The "Westaf" Identity

"Westaf." A simple, powerful word, steeped in history and identity. Today, Westaf is more than just a geographical reference . In this article, we will explore the history and evolution of the term Westaf, understand its roots and global adoption , and discover its influence in the world of silver jewelry, particularly in Paris, a hotbed of the West African diaspora.

Why is Paris a Westaf Identity Crossroads?

The word "Westaf" is a contraction of "West Africa" , used mainly in the diaspora to denote a strong identity attachment to this region of the world . West Africa , which includes 16 countries , has an exceptional historical and cultural richness , marked by powerful kingdoms such as those of Mali, Ghana and Benin . With the slave trade, then colonization and independence, millions of West African descendants were dispersed across the world . This uprooting reinforced the need to maintain a link with their origins . Today, being "Westaf" means claiming a collective heritage while modernizing it . It is an affirmation of identity , a bridge between the past and the future , and above all, a source of inspiration for art, fashion and jewelry (source: Cambridge African Studies Review ).

The Westaf Style

Afrobeats, coupé-décalé and West African hip-hop have revolutionized the music industry. These musical genres, strongly influenced by traditional percussion and Mandingo rhythms , are now being taken up by the biggest international stars . The Westaf style blends ancestral influences and modernity , creating a unique and influential fashion. Wax and bogolan , iconic fabrics, are now used in collections by international designers. Adinkra patterns , originating from the Akan of Ghana, symbolize deep values and are integrated into textile design. West African art is based on artisanal techniques that have been passed down for centuries . Jewelry, in particular, is an area where Westaf know-how stands out , notably with the silver carvings inherited from the Tuaregs and the Akans .

Paris: A Westaf Identity Crossroads

Paris is home to one of the largest West African diasporas in the world . This presence has transformed certain neighborhoods into true West African cultural centers , where tradition and innovation coexist. In Château Rouge and La Goutte d'Or , the markets are full of fabrics, silver jewelry and African spices. Events like AfroPunk Paris or Black Fashion Week give global visibility to West African talent ( Vogue Business ). Paris is not just a place of passage for the Westaf identity, it is a space where it asserts itself, develops and globalizes . West African jewelry is known for its refinement and powerful symbols . The silver signet rings , engraved with tribal motifs, represent family heritage and the transmission of values . Today, jewelers specializing in silver are modernizing these pieces by adapting them to contemporary trends , appealing to both the diaspora and lovers of unique and authentic jewelry . Westaf is more than just a term . This movement continues to grow , driven by new generations, creators and artists who are spreading the Westaf identity beyond borders.

Contemporary African-Inspired Jewelry

African jewelry is interpreted in many ways in the contemporary fashion world. Black models are very in vogue and tribal adornment embellishes and enhances many necks and bodies of all races. Africa contributed greatly to our rich history of jewelry and accessorizing. As African countries gained independence, there was a resurgence in traditional arts and crafts. Today, African-inspired jewellery blends traditional elements with contemporary aesthetics. African-inspired jewelry has transitioned from traditional adornment to a global fashion statement. Designers like Adele Dejak have reimagined these pieces for the modern woman, combining bold African aesthetics with contemporary design. African-inspired jewelry has gained global popularity for its unique craftsmanship, cultural richness, and timeless appeal. It allows wearers to connect with Africa’s vibrant heritage while making a bold fashion statement. African-inspired jewelry is incredibly versatile. Pair bold statement necklaces with simple outfits for a pop of culture, or layer delicate bracelets and rings for a subtle yet impactful look.

Adele Dejak: Honoring African Heritage

At Adele Dejak, we celebrate this fascinating journey by crafting contemporary pieces that honor Africa's heritage while embracing modern elegance. At Adele Dejak, our designs are crafted to complement any wardrobe, offering a perfect blend of tradition and modernity. At Adele Dejak, we pride ourselves on creating jewelry that is both culturally significant and fashion-forward. Our designs are inspired by Africa’s diverse artistry, from Maasai beadwork to Ethiopian tribal patterns, but reimagined with a contemporary twist. The evolution of African-inspired jewelry is a testament to the continent’s enduring creativity and cultural richness. At Adele Dejak, we are proud to be part of this journey, crafting pieces that honor Africa’s past while embracing the future.

Symbolism in African Jewelry
Element Symbolism
Beads Fertility, wealth, protection
Cowrie Shells Fertility, wealth
Geometric Patterns Cultural heritage, community ties
Gold Wealth, power
Green Color Growth, fertility, connection to earth
Red Color Life force, power, vitality
Blue Color Peace, harmony, spiritual protection

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