Green Hills of Africa: A Journey Through Hemingway's Safari

Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of Kenya, where he and his wife Pauline journeyed in December 1933. Originally published in 1935, this book magnificently captures Hemingway's well-known interest in big-game hunting.

It serves as an examination of the lure of the hunt and an impassioned portrait of the glory of the African landscape and the beauty of a wilderness that was, even then, being threatened by the incursions of man.

Ernest Hemingway. Источник: wikipedia.org

A Personal Connection

This book holds a special place for many, as it sits on a delicate intersection of important aspects. It is a product of one of the most celebrated authors, Hemingway. The 'green hills' he writes about are the Chyulu hills - verdant rolling hills with endless blue skies and gigantic clouds that give way to a splendid, lush, green landscape that blesses the eye with history and splendor.

Through his hunting expedition, he converses with local guides about hunting, about writing, about animals, about life. Often times, Swahili words will jump at you like 'Ndio' (yes) and 'Hapanna' (No), and in a heartwarming way, one smiles as one remembers childhood learning and eventually excelling in the local tongue.

Read also: Green's Time at NWOSU

The Allure of Africa

Male Greater Kudu Hemingway's vigorous, to the point descriptors of the animals, the local Maasai people, the environment, truly make you feel as if you are standing in those sun-kissed plains. When Hemingway talks about the 'good smell of Africa' one's nose fills with those pleasant odors.

When he paints the colors of various game like Kudu and Sable and give the measures and exact number of curves in their horns, one sees those animals walking before one in grace, in splendor. Through Hemingway's fast prose, one is teleported back to one's old home, where years of one's life whiled away like a cool Kenyan breeze across the African Savannah.

When Hemingway says, 'I could not believe we had come to any such wonderful country. It was a country to wake from, happy to have had the dream… ,' one believes it, one sees it, because he shows it to you word by word.

The hunting in the book is described with the precise exactitude of a professional hunter. The grit and determination to track game across seemingly endless plains, up and down hills, through thick and thin brush, and finally the shot, the success, the joy of sharing a beer and meat after a successful hunt, these are all something one may wish to experience in the future.

However, one lesson one can learn from Hemingway is, don't get in those rickety bush planes! Hemingway was the unfortunate sufferer of two consecutive plane crashes on his second visit to Africa - the second one was so bad many in the West thought him dead and had written his obituaries when he suddenly showed up, alive and kicking! 'My God,' they must have thought, 'this man doesn’t die!'

Read also: Chad Green Opposition

Chyulu Hills National Park. Источник: tripadvisor.com

Advice for Writers

Finally, the advice he gives for writers was something felt very valuable. It was like discovering small diamonds in an already large pile of gold. With brilliantly witty comments like:

"...what harms a writer? 'Politics, women, drink, money and ambition. And a lack of politics, women, drink, money and ambition,' I said profoundly."

And genuine advice like:

"There must be talent, much talent. Talent as Kipling had. Then there must be discipline. The discipline of Flaubert. Then there must be the conception as unchanging as the standard meter in Paris. To avoid faking."

Read also: Discover Green Moroccan Rugs

Hunters & Gatherers of Africa | Full Episode

Any writer, who is serious about his craft, should give this book a chance. Sure it doesn’t have the power of a Nobel Prize behind it like 'The Old Man and The Sea', or the profundity of a war novel like 'A Farewell to Arms', but it carries it's own beauty. In those Green hills of Africa, Hemingway found a deep connection with a land he was only visiting, where many who have lived there for years perhaps fail to see. He shows what it's really like to be in the thick of it, both literally and metophorically.

Synopsis and Analysis of "Green Hills of Africa"

This memoir of a month in the life of famed writer Ernest Hemingway follows the author and his companions through the wilds of Africa as they hunt its indigenous animal life. Detailed descriptions of actual hunts and of the untamed African scenery are tellingly juxtaposed with thematic explorations of the parallels between creativity and hunting and the nature of competitiveness.

Part 1: Pursuit and Conversation

The first part of the narrative, "Pursuit and Conversation", begins with the author and his hunting party returning from yet another frustratingly unsuccessful hunt for what the author has decided is his ultimate trophy, the elusive kudu. On the way back to camp, he and the others encounter a visiting Austrian, Kandisky, who is having trouble with his truck.

Kandisky recognizes the author, who already has an international reputation even at this relatively early point in his life and career. The men engage in a brief but intense literary debate, and after refusing the author's help, Kandisky agrees to visit him in his camp later. At the camp, a literary debate again ensues, in parallel with the author's frustrated conversation with his hunting companion, Colonel "Pop" Phillips, about how he's unable to get his kudu.

Part 2: Pursuit Remembered

In Part 2 of the narrative, "Pursuit Remembered", the author takes the reader back to the earlier days of this particular hunting trip. He narrates the development of his competitive relationship with his friend Karl, and his deepening awareness of the various similarities between the acts of creating and hunting.

Also in Part 2, the author describes (in considerable detail), the successive hunting trips both he and Karl took in pursuit of their respective goals, and the varied successes and failures that resulted from both trips. The author's increasing frustration leads him to sudden explosions of temper and to what appears to be an increased dependence on alcohol, particularly whiskey, drunk in order to ease that frustration. Part 2 ends with the author's unhappy discovery that Karl has bagged the first kudu of the hunt.

Part 3: Pursuit and Failure

Part 3, "Pursuit and Failure", begins on a note of camaraderie between the author and M'Cola, united both in their mutual disgust with the useless guides they've been saddled with and in determination to get a better trophy than Karl. That camaraderie quickly evaporates, however, in response to the author's deep and sharp frustration with his inability to bag a kudu.

In spite of M'Cola's efforts to calm him with tea, the author drinks himself into an angry sleep with whiskey. The next day, on yet another attempt to get a kudu, he is caught in the rain, and his gun gets wet. He asks M'Cola to clean it, but later (on still another hunting expedition) is furious to discover that he has not.

There is no confrontation between the two men, however - their tension unfolds in silence, and the author realizes there's nothing to be gained from anger. Part 3 ends with the author receiving word of a hitherto unexplored hunting ground where the kudu, apparently, are easily obtainable, and hurriedly packing up and leaving, excited at the prospect of finally achieving his goal.

Part 4: Pursuit as Happiness

The opening narration of Part 4, "Pursuit as Happiness", describes a beautiful, untouched and unspoiled part of Africa through which the author and his party roar in their truck in pursuit of kudu. They do eventually find not one but two beautiful kudu - and then, flushed and eager with success, the author decides to go after another trophy, the elusive sable.

His efforts to find them meet with further success, but his efforts to bring one down meet with profoundly frustrating failure, as he chases a wounded sable across the countryside. When he returns to his base camp, he is even more frustrated to discover that Karl has killed an even more beautiful kudu.

The author swallows his initial resentment and eventually finds himself able to congratulate his friend/rival.

Literary Debates and Reflections

The conversations about literature produce some of the book's most famous passages. Hemingway suggests that the only good American writers are Henry James, Stephen Crane, and Mark Twain. Hemingway goes on to say that Twain's The Adventures of Huckleberry Finn is "the best book we've had. All American writing comes from that. There was nothing before. There has been nothing as good since." Hemingway and Kandisky also discuss the German writers Rainer Maria Rilke and Thomas Mann.

Hemingway likens the competitive nature of hunting to that of creating literature. Although literature is about art and emotion, the same competitiveness drives writers to outdo one another to create better work, Hemingway suggests. This idea is emphasized by more debates about the virtues of various authors. While the previous section focused on American and German writers, the debates in Part 2 focus on European authors, including Fyodor Dostoyevsky, Gustave Flaubert, Leo Tolstoy, and Stendhal.

The Hunt for the Kudu

While there are plenty of African animals to hunt while on safari, Hemingway will not be satisfied until he manages to kill the kudu, a highly elusive species of antelope native to East Africa. Earlier in the trip, Hemingway initiated a friendly competition with this friend Karl to determine who could kill the kudu first.

Eventually, Karl kills a kudu, besting Hemingway and winning the competition. Hemingway tries to comfort himself with the fact that Karl's kudu is particularly ugly. Unfortunately, Hemingway finds that the only thing capable of easing his increasingly tempestuous bouts of anger is liquor, specifically whiskey. He laments the sense of bitterness that has soured a friendship and invaded what should be a rousing safari adventure, but he does not know how to end his frustration.

Themes and Style

Green Hills of Africa is divided into four parts: Pursuit and Conversation, Pursuit Remembered, Pursuit and Failure, and Pursuit as Happiness, each of which plays a different role in the story. Hemingway loved Africa for its natural beauty and enchanting wildness.

Throughout his book, Hemingway uses Africa: as a hunting resource, as an extended metaphor, and as material for his next book. Despite Hemingway’s goal to present an “absolutely true book,” his rearrangement of events and extensive use of metaphor lend a fictional resonance to his purported non-fiction.

The landscape, or “shape of a country,” operates on several levels in Green Hills. During Hemingway and Kandisky’s literary discussion, a metaphor is set up that extends throughout the book. Hemingway makes an implicit comparison between hunting and writing. The writer’s material becomes the landscape while his subject is the quest or “pursuit” itself.

In Green Hills the subject of the pursuit is the elusive kudu, an animal you must hunt alone, like writers must write alone or else-contaminated by their contact with other writers-they all will become “angleworms in a bottle, trying to derive knowledge and nourishment from their own contact and from the bottle”.

In addition to the criteria Hemingway cites to become a great writer, namely talent, discipline, sincerity, intelligence, detachment, and time , it becomes apparent that the writer’s material, metaphorically the landscape, is also essential for success. Writers who do not experience life wholeheartedly will not succeed.

Legacy and Reception

After receiving a number of mixed and negative reviews for Green Hills of Africa, Hemingway fell into a deep depression.

Hemingway’s superb book, Green Hills of Africa, about his first African safari in 1933, published in 1935, is much more than a book about big game hunting; it is also about British Colonial Africa, and its people, and what made them tick.

Section Summary
Pursuit and Conversation Hemingway and his party return from an unsuccessful hunt and engage in literary debates.
Pursuit Remembered Flashback to earlier hunting trips, highlighting the competition with Karl and reflections on writing.
Pursuit and Failure Frustration mounts as Hemingway fails to bag a kudu, leading to tension and anger.
Pursuit as Happiness Success in finding kudu, but frustration returns with the pursuit of sable and Karl's continued success.

Popular articles:

tags: #Africa