African American Science Fiction Authors: A Comprehensive List

In celebration of Black History Month and beyond, it's essential to recognize the significant contributions of Black authors to the science fiction and fantasy genres. These authors have crafted unique stories that explore themes of race, culture, and identity through imaginative narratives and compelling characters. There are increasingly more books by Black female authors featuring Black characters leading revolutions, wielding superpowers, and being the kickass heroes saving the world. Representation matters in all media, and these authors have made significant strides in both genres.

Here is an annotated list of notable African American science fiction authors and their works, offering a glimpse into the rich history and ongoing evolution of Black speculative fiction:

Pioneering Voices

Octavia E. Butler (1947 - 2006)

OCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work. Butler published her first short fiction in 1971. She went on to win two Hugo and two Nebula awards, among other prestigious awards. Butler’s Parable series, though written in the 90’s, was chillingly prescient in the 2010’s. If you’re going to start anywhere, I’d start with the Parable of the Sower.

Not her first novel, Kindred is Butler’s best known. It was itself inspired by Black History Month; she wrote it in response to disparaging remarks about their enslaved ancestors made by black students ignorant of the extent of those ancestors’ oppression. A modern black woman is drawn involuntarily back to the antebellum South, ensuring that a white supremacist lives to sire her grandmother.

  • "Bloodchild" (1984): What Butler referred to as her “pregnant man story” established new levels of squirm-worthiness in science fiction while simultaneously proving that this accomplished novelist could also easily handle the limitations of shorter forms. It won both the Hugo and the Nebula, science fiction’s two most highly sought awards.
  • Fledgling (2005): This was Octavia’s last book. Heroine Shori is a 53-year-old top predator-type of vampire with the appearance of a twelve-year-old black girl. Octavia actually thought of this biologically rigorous novel, starkly realistic in its portrayal of the mechanics of death and feeding on humans, as a fun, lighthearted romp.

Samuel R. Delany

Samuel R. Delany was born in 1942 and published his first novel, The Jewels of Aptor, in 1962. After winning four Nebula Awards and two Hugo Awards, he was inducted into the Science Fiction and Fantasy Hall of Fame in 2002. From 1975 until 2015, he was professor of English, Comparative Literature, and Creative Writing at SUNY Buffalo, SUNY Albany, and Temple University.

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  • Dhalgren (1975): When you read Dhalgren you’re automatically enrolled in a secret club made up of a special kind of intellectual. A widespread cult has grown up around it--fittingly, since it’s a strange story strangely told: the last line, for instance, famously ends with the words that begin the first. Set against the backdrop of the enigmatic ruins of a post-apocalyptic city, the exploits of the Kid illuminate both more and less than we want to see of them.

Contemporary Authors

Tananarive Due

Tananarive Priscilla Due is an American author and educator. A leading voice in Black speculative fiction for more than 20 years, Due has won an American Book Award, an NAACP Image Award, and a British Fantasy Award, and her writing has been included in best-of-the-year anthologies. She is also known as a film historian with expertise in Black horror. Due won the American Book Award for her novel The Living Blood.

  • The Good House (2003): This tale of a haunted house deliciously and simultaneously showcases Due’s power to invoke blinding terror, her respect for religious traditions outside the mainstream, and her intimate knowledge of the violence directed toward young black men. It’s as timely now, unfortunately, as it was at its publication.

Nalo Hopkinson

Caribbean-born Canadian, Nalo Hopkinson, now lives in California, where she teaches at UC Riverside. She has won the Campbell (now the Astounding), Locus, Sunburst (twice), Aurora, Philip K. Dick, and World Fantasy awards. At the last WorldCon I attended in Helsinki, I tried to get to as many of Hopkinson’s panels and presentations as I could. She’s that insightful. Hopkinson received the 1999 John W. Campbell Award for Best New Writer and the Ontario Arts Council Foundation Award for Emerging Writers. As an author, Hopkinson often uses themes of Caribbean folklore, Afro-Caribbean culture, and feminism. Her novels such as Brown Girl in the Ring, Midnight Robber, and The Salt Roads, and short stories such as those in her collection Skin Folk often draw on Caribbean history and language, and its traditions of oral and written storytelling. The Salt Roads received the Gaylactic Spectrum Award for the positive exploration of queer issues in speculative fiction.

  • Brown Girl in the Ring (1998): Winner of publisher Warner Aspect’s First Novel Contest, this near-future tale of an unwilling medium surviving in an abandoned urban core established Hopkinson as a major force in the genre.
  • Midnight Robber (2000): This may be my favorite of Hopkinson’s many amazing novels. Taking us first to the near-Utopian planet of Toussaint, a world settled by a diverse Caribbean population, then to its transdimensional prison colony of New Half-Way Tree, Hopkinson tells the moving tale of innocent bystander Tan-Tan’s adaptation to strange new living conditions. Dialogue and narration highlight Island speech patterns--not the first time an author has done this, but an extremely fine example of using nonstandard English to introduce readers to black culture.

Nnedi Okorafor

Nnedi Okorafor is a Nigerian-American writer of science fiction and fantasy for children and adults. Like other authors on this list, she’s won the Locus, Nebula, Hugo, and World Fantasy awards. Recently, she’s also written for Marvel’s Black Panther and Shuri comics and for Dark Horse’s LaGuardia comic. Her novel Who Fears Death is being adapted into a TV series for HBO and Okofafor is working on an adaptation of Octavia Butler’s Wildseed for Amazon Prime. She is best known for her Binti series and novels Who Fears Death, Zahrah the Windseeker, Akata Witch, Akata Warrior, Lagoon, and Remote Control. She has also written for comics and film. Okorafor has also written an African futurist comic series LaGuardia, which won an Eisner Award and a Hugo Award. She is the recipient of multiple awards, including the Hugo Award, Nebula Award, Eisner Award, and World Fantasy Award.

  • Who Fears Death (2010): A novel that haunts your dreams for weeks after you’ve read it is indisputably remarkable. Who Fears Death won both the World Fantasy and Parallax awards.
  • Akata Witch (2011): A fantasy for children along the lines of Rowling’s Harry Potter series, Akata Witch supposes that magically endowed children spring from the so-called “Dark” continent of Africa as frequently as they do from the British Isles. Twelve-year-old Sunny, an albino American black living in Nigeria, attends a wizard’s academy with similarly powerful children who soon must defeat a grown sorcerer threatening the very existence of life.

Nisi Shawl

Nisi Shawl is an African-American writer, editor, and journalist. They are best known as an author of science fiction and fantasy short stories who writes and teaches about how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, colonialism, physical ability, age, and other sociocultural factors. In 2008, they won the James Tiptree, Jr. award, given to outstanding works of science fiction or fantasy, for their novel Filter House.

  • Filter House (2008): At first I thought I shouldn’t include a collection of my own short stories on this list. But Filter House actually is of historical significance: it’s the first book by an African American to win the James Tiptree, Jr. award.

Tomi Adeyemi

Tomi Adeyemi is a Nigerian-American writer and creative writing coach. Tomi Adeyemi is a Nigerian-American writer and creative writing coach based in San Diego, California. She is best known for her novel Children of Blood and Bone, the first in the Legacy of Orïsha trilogy which won the 2018 Andre Norton Award for Young Adult Science Fiction and Fantasy, the 2019 Waterstones Book Prize, and the 2019 Hugo Lodestar Award for Best Young Adult Book. In 2019, she was named to the Forbes 30 Under 30 list. In 2020, she was named to the TIME 100 Most Influential People of 2020 in the “Pioneers” category. She has worked with Disney, Amazon, and Netflix.

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CHILDREN OF BLOOD AND BONE, comes out March 6th, 2018 and the movie is currently in development at Fox with the producers of Twilight and The Maze Runner attached. After graduating Harvard University with an honors degree in English literature, she received a fellowship that allowed her to study West African mythology and culture in Salvador, Brazil. When she’s not working on her novels or watching Scandal, she can be found blogging and teaching creative writing to her 3,500 subscribers at tomiadeyemi.com.

Namina Forna

Namina Forna is a Sierra Leonean American author of young adult fiction and a screenwriter. Forna is the daughter of the Honorable A. G. Sembu Forna, a noted Sierra Leonean politician, and her mother is ambassador and former Sierra Leone deputy minister of foreign affairs, Ebun Strasser-King. Her debut novel The Gilded Ones was published in February 2021 and quickly entered the New York Times and Indie Bestseller lists. Forna became the first Sierra Leonean American to land a book deal with a major publisher for a young adult fantasy novel.

Roseanne A. Brown

Roseanne A. Roseanne A. Brown is a Ghanaian-American writer of fantasy, science fiction, and young adult fiction. She is best known for her debut novel A Song of Wraiths and Ruin, which became a New York Times best-seller, and its sequel, A Psalm of Storms and Silence.

Jennifer Nansubuga Makumbi

Jennifer Nansubuga Makumbi is a Ugandan-British novelist and short story writer. She is a lecturer in Creative Writing at Lancaster University. In 2018, she was awarded a Windham-Campbell Prize in the fiction category. In 2021, her novel The First Woman won the Jhalak Prize. Her first novel, Kintu, displays all of these literary qualities. Taking place mostly in 1750, a Bugandan man named Kintu receives a curse that plagues him and his descendants through to the 2000s. While exploring the power of curses, the novel also educates readers on how the Kingdom of Buganda evolved to become what we know now as modern Uganda.

Lauren Blackwood

Lauren Blackwood is a Jamaican American living in Virginia who writes Romance-heavy Fantasy for most ages. When not writing, she’s a musician and a tiramisu connoisseur. She’s the New York Times bestselling author of Within These Wicked Walls and Wildblood.

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Colson Whitehead

Colson Whitehead was born in 1969, and was raised in Manhattan. After graduating from Harvard College, he started working at the Village Voice, where he wrote reviews of television, books, and music. His first novel, The Intuitionist, concerned intrigue in the Department of Elevator Inspectors, and was a finalist for the PEN/Hemingway and a winner of the Quality Paperback Book Club's New Voices Award.

  • The Intuitionist (1999): Embraced immediately by such non-genre notables as John Updike and Esquire magazine, Whitehead’s debut novel describes a city like and unlike New York, where an elevator inspector tries to determine why her nonrational methods have failed her. It’s self-admittedly a work of speculative fiction, and Whitehead’s 2011 zombie novel Zone One sealed his reputation as someone who willingly takes on SF’s concerns whenever he feels they’re what he needs to write about.

Marlon James is a Jamaican writer who wrote three critically acclaimed (A Brief History of Seven Killings won the 2015 Man Booker Prize) literary novels before diving into fantasy with his Black Leopard Red Wolf, the first of a planned trilogy. James is a master of deep point of view. The reader becomes Tracker.

This list of authors and their works provides a starting point for exploring the diverse and imaginative landscape of African American science fiction. These stories offer not only entertainment but also valuable insights into the experiences, perspectives, and cultural heritage of Black communities.

Other Important Titles

Here are some other important titles in African American science fiction:

  • 1859 Martin R. Delany: Blake, or the Huts of America -- This is often cited as the first African American science fiction novel, though the author lived in England at the time it was published.
  • 1887 Charles Chesnutt: “The Goophered Grapevine” This was the author’s first short story, and the first story by a black writer to appear in the prestigious glossy magazine The Atlantic.
  • 1903 Pauline Hopkins: Of One Blood -- A rousing adventure along the lines of H. Rider Haggard’s She and King Solomon’s Mines, Hopkins’s serialized lost race narrative takes readers from a sleety Boston campus to a Libyan desert’s “rosary of oases.” Medical student Reuel Briggs discovers he’s the descendant of divine African kings, destined to rule the faithful inhabitants of “Hidden City” with the aid of a priestly hypnotist.
  • 1920 W.E.B. Du Bois: “The Comet” -- In the post-apocalyptic New York created by the devastating toxic gases a crashing comet unleashes, a black man has a close encounter with the only other survivor, a wealthy white woman. race relations.
  • 1954 Amos Tutuola: My Life in the Bush of Ghosts -- Like his first novel, The Palm Wine Drinkard, this collection of related stories deals with the mythic realm of Yoruba-based cosmologies. Unlike that book its young protagonist enters this realm unwillingly. The stories appear non-sequentially, emphasizing the disjointed outlook resulting from his strange experiences.
  • 1969 Sam Greenlee: The Spook Who Sat by the Door -- A wishful tale of overthrowing the status quo, this book, sometimes classified as a thriller or spy novel, pits black ex-CIA agent Dan Freeman against a corrupt white political system.
  • 1970 Lorraine Hansberry: Les Blancs -- A delirious air of surrealism pervades this play examining Europe’s colonialist control of Africa and Africans.
  • 1972 Ishmael Reed: Mumbo Jumbo -- The notoriously chauvinistic literary critic Harold Bloom considers this one of the world’s 500 most important books. It was certainly an important influence on me and a myriad of other imaginative blacks when it appeared. A quasi-historical, illustrated spree through clashes of the heroic proponents of jazz and voodoo with the oppressive fictional Wallflower Order, Mumbo Jumbo was Reed’s third novel. It was preceded by “the first American Hoo-Doo Western,” Yellow Back Radio Broke-Down, and the bitingly satiric The Freelance Pallbearers.
  • 1977 Toni Morrison: Song of Solomon -- Building on persistent legends of blacks escaping enslavement by flying back to Africa, Morrison relates the personal history of the descendant of one of those left behind. Ten years later, in Beloved, Morrison again invoked the supernatural when recounting the lasting effects of American chattel slavery on blacks.
  • 1981 Charles Saunders: Imaro -- This book is claimed by some critics to be the first example of fantasy’s “sword-and-soul” subgenre (sword-and-sorcery with a majority of African-descended characters). Rather than a novel, it’s a collection of six short stories centered on Imaro, who was a “black Tarzan” according to the cover copy. Given the wizards and demons haunting the magical world of Nyumbani, site of Imaro’s struggles, Robert E. Howard’s Conan the Barbarian is probably a better comparison.
  • 1986 Virginia Hamilton: The Magical Adventures of Pretty Pearl -- This children’s fantasy of West African divinities becoming involved in blacks’ struggle for freedom conveys the sorrow and pain of enslavement without omitting humor and hope. A great introduction to black history’s depth and breadth.
  • 1988 Gloria Naylor: Mama Day -- I love this book. It’s an ambitiously structured narrative that combines romance with folklore and delves deep into the apparent dichotomy between magic and common sense. Generations of women fall into and out of conflict with one another and their definitions of emancipation on the gloriously real-feeling Georgia sea island of Willow Springs.
  • 1990 Charles R. Johnson: Middle Passage -- Though it’s usually considered a non-fantastical and purely historical novel, much of the action of Middle Passage centers on a captured West African god and the healing visions he bestows on the novel’s hero, freedman Rutherford Calhoun, when he stows away on the slave ship Republic.
  • 1998 Sandra Jackson-Opoku: The River Where Blood Is Born -- This book was lauded by Mama Day’s author Gloria Naylor as a “stunning feat.” Spanning continents and centuries, it’s an intergenerational saga of inherited dreams and the legacy of defiance bequeathed on modern blacks by those who fought oppression before us.
  • 2000 Sheree Renée Thomas: Dark Matter 1 -- Here we have a groundbreaking anthology covering historic expressions of the Afro-diasporic fantastic such as the aforementioned Du Bois story “The Comet,” well-known SF authors such as Octavia E. Butler, and then-newly emergent ones such as Kiini Ibura Salaam and yours truly. The two Dark Matter anthologies provide an even crashier-course in the history of black SF for those looking for a drastically condensed overview. Plus, this first volume also includes Samuel R.
  • 2003 Steven Barnes: Zulu Heart -- This is the second of Barnes’s alternate histories. Both are set in a world in which Europe’s population was so devastated by the Black Plague that it colonization of the Western Hemisphere was left to China and North Africa.
  • 2004 Minister Faust: Coyote Kings of the Space-Age Bachelor Pad -- Faust, later the winner of the Carl Brandon Society’s Kindred Award, kicked off his career as a novelist with this account of a grail quest as pursued by two teenaged Ethiopian-Canadian SF fans. Game player-like character cards spell out the strengths and weaknesses of these heroes and their drug-dealing antagonists.
  • 2006 Andrea Hairston: Mindscape -- Winner of the Carl Brandon Society’s Parallax Award, Hairston’s first foray into fiction (she’s a seated professor of theater and Afro-American studies at Smith College and has written plays and academic papers for decades) was also a finalist for the Philip K. Dick and James Tiptree, Jr. awards.
  • 2010 Karen Lord: Redemption in Indigo -- Telling a Senegalese folktale as science fiction, Lord’s debut novel stretched the familiar parameters of these related genres to the breaking point and beyond. This story of a runaway housewife who’s given the power to manipulate time and space won the prestigious Frank Collymore Award before it was even published; after publication it garnered the Parallax, the William L.
  • 2010 N.K. Jemisin: The Hundred Thousand Kingdoms -- The publication of best-selling author Jemisin’s debut novel almost instantly created an army of adoring fans. First in an epic fantasy series with a distinctly “romance” feel, The Hundred Thousand Kingdoms successfully proclaimed the right of characters of color to inhabit the imaginary worlds authors love to create.
  • 2011 Mat Johnson: Pym -- Piercingly witty in its depiction of African-descended people’s foibles (“You know, I got Indian in me.”), Pym is a metafictional account of an out-of-work academic’s mission to the South Pole, guided by what he believes to be the diary of a black follower of Arthur Gordon Pym--the narrator of Edgar Allan Poe’s sole novel.
  • 2011 Milton Davis: Changa’s Safari -- In the tradition of Saunders’s and Imaro (recommended above), Davis spins a sword-and-soul novel out of related short stories. They center on a crew of adventurers which includes a veiled Tuareg who has taken a vow of silence, a headstrong sorceress, and the hero himself, a disinherited prince of the Kongo, bent on avenging his slain family.
  • 2012 Tobias Buckell: Arctic Rising -- This fast-paced near-future thriller pits airship pilot Anika Duncan against corporate interests in a battle for the fate of an ecologically devastated Earth. Grenadian born Buckell’s entry into the burgeoning sub-genre of “cli-fi” (climate change focused SF) was followed in 2014 by the equally intense sequel Hurricane Fever.
  • 2012 Balogun Ojetade: Moses: The Chronicles of Harriet Tubman -- What better inspiration for an action hero than the Underground Railroad conductor who led so many to freedom? In this book and its sequels, Ojetade re-imagines the woman called “Moses” as a psychic soldier as well as the spy we now know Tubman to be. Steampunk inventions and hell-spawned horrors provide an intriguing setting for her larger-than-life struggles.
  • 2013 Alaya Dawn Johnson: The Summer Prince -- Johnson’s debut young adult novel, this account of an atypical love triangle set in a far-future Brazil brings to life a multi-tiered soci...

N.K. Jemisin

N.K. Jemisin worked as a counselling psychologist and has the distinction of being the only author to win back-to-back-to-back Hugo awards for books of the same series. That series would be The Broken Earth. You could start earlier with The Inheritance trilogy or the Dreamblood duology, or head straight for her latest novel, The City We Became, start of The Great Cities series (sentient cities vs.

Here’s a quick overview of the authors and their notable works:

Author Notable Works
Octavia E. Butler Kindred, "Bloodchild", Fledgling
Samuel R. Delany Dhalgren
Tananarive Due The Good House, The Living Blood
Nalo Hopkinson Brown Girl in the Ring, Midnight Robber, The Salt Roads
Nnedi Okorafor Who Fears Death, Akata Witch, Binti Series
Nisi Shawl Filter House
Tomi Adeyemi Children of Blood and Bone
Namina Forna The Gilded Ones
Roseanne A. Brown A Song of Wraiths and Ruin
Jennifer Nansubuga Makumbi The First Woman, Kintu
Lauren Blackwood Within These Wicked Walls, Wildblood
Colson Whitehead The Intuitionist
Marlon James Black Leopard, Red Wolf

These authors have not only enriched the science fiction and fantasy genres with their unique voices but have also provided platforms for exploring themes of identity, culture, and social justice. Their works continue to inspire and resonate with readers around the world.

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