Are you curious about the rich tapestry of Ethiopian culture and its vibrant forms of expression? Due to its old history, one that dates back to 3000 years, Ethiopia's folk dance is a symbol of their mosaic culture. Dancing is an integrated part of life for Ethiopian's and they love dancing. In this article, we will explore the history and traditions surrounding Ethiopian folk dance, highlighting the diverse styles and cultural significance embedded within each movement.
Ethiopian dancers. Source: Wikimedia Commons
Origins and Historical Significance
Ethiopian traditional dances are believed to have originated during the Axumite period in the 4th century, when the Axum Kingdom was a major empire in Northeast Africa. Then, as now, dances would have been used to celebrate specific occasions and also served religious purposes; Axum introduced the Christian religion to the rest of sub-Saharan Africa in the fourth century CE. Through the centuries, these dances continued to be developed, incorporating storytelling and a variety of rhythms. In modern Ethiopia, Axum is part of the northern region of Tigray, where the shim shim dance is similar to eskista but slower.
Traditional dancing has been part of everyday life in Ethiopia. In Ethiopia, traditional dances used to celebrate festivals, weddings, and occasions of every kind. For thousands of years on many continents, circle dances have been a way to celebrate stages of human life, work, love and loss.
Eskista: A Dance of Shoulders
Ethiopian Eskista Tutorial
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Among the more than 80 or more types of traditional dances (termed wuziwaze in Amharic) existed in Ethiopia, eskista is one of the most well-known especially in northern part of the country particularly in the state of Amhara. Eskista (Amharic: እስክስታ) is a traditional Amhara cultural dance originated by the Amhara ethnic group in Ethiopia. Due to the widespread influence of the Amhara people, the dance is performed in almost every corner of the country and has gone viral internationally, becoming a global trend celebrated by diverse audiences. It is enjoyed by men, women, and children.
Eskista dancers. Source: YouTube
The name Eskista specifically means -dancing shoulders- as this dance seems to mirror the movements of snakes, with shaking movements of the shoulders, chest, and hips. The dance is characterized by its rapid, rhythmic movements of the upper body, particularly the shoulders, but also the chest, head, and neck. Melaku Belay, who founded the Fendika Cultural Center in Addis Ababa has earned the nicknames “walking earthquake” and “King of Eskista.” He says, “Eskista is deeply embedded in our way of life.
Musical Accompaniment
Eskista is typically performed to traditional Amhara music, but it is possible to incorporate the style of dance into modern forms of music such as the music played in modern Ethiopian music videos. Traditional Ethiopian music, featuring vibrant rhythms and melodies, enhances the energetic dance movements. The krar, a string instrument with a distinct sound, and flute are among the traditional instruments that enhance the rhythm and energy of Eskista performances. The krar and flute are traditional Ethiopian instruments that play a pivotal role in Eskista dance performances.
Regional Variations and Styles
With more than 80 traditional dances from all the corners of the country, one of the most widely known forms of Ethiopian traditional dance, known as eskista, has been experiencing some ups and downs in the past few years. In the early 12th century, power moved south to the Amhara region, with kings ruling from places like Lalibela, Gondar, and Addis Ababa. Now every August, women in both Tigray and Amhara dance together during Ashenda, a colorful festival which celebrates women and girls.
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Ethiopia’s diverse ethnic groups each contribute unique dance styles, reflecting their distinct cultural identities. Here are some regional variations:
- Tigray Region: The dance of Tigray region is characterized by two-beat drum rhymes. According to the distinctive drum rhymes, they dance in a circle like Japanese bon dance. In modern Ethiopia, Axum is part of the northern region of Tigray, where the shim shim dance is similar to eskista but slower.
- Amhara Region: The dance of people in Amhara region (Northern Ethiopia) is called “Eskesta” which has unique movement of neck, shoulder and chest.
- Eastern Ethiopia: In eastern Ethiopia, people living near the border to Somalia are Muslims. Women’s dance style, dancing with their hair covered with scarf, emphasizes their beauty that modest women have. Men dance to drum rhythm with masculine but elegant steps. Women dance with spreading their long skirts like butterfly.
- Oromiya Region: Oromiya region is the largest and their dance styles are different depending on places. Some of famous dances are “Shoa Oromo” and “Halar Oromo”. Especially, Shoa Oromo dance has unique costume as well as steps. Women wear leather-made wild two-piece costume decorated with shells. Men wear fur skin like lion’s mane on the head and use stick for dance. What is most surprising is women’s very fast and sharp neck motion.
- Gurage Region: The Grage area is about 100Km Southwest from the capital city Addis Ababa. Gurage people are famous for hard working, and their dancing style brings such an image of hard working people. Differing from other dances, women dance with pants and they cover their hair with scarf for preparing for the fast tempo dance.
- Gambella Region: The dance of Gambella is characterized by the agile spin of the waist. The women dance while hurling a fringe decorated with cowrie.
- Walyta Region: Walyta people living in Southern Ethiopia dance with distinctive movement of waist.
Costumes and Attire
For this dance in particular the clothes that are worn while dancing also say alot about the performer. The clothes that they wear give insight to where they are from regionally. When dancing in clothes of cotton, white, or worn out clothes, the dancer is from the north. The typical outfit is known as a shemma for the northerners. Two specific tribes this relates to in the north, for the most part, would be the Amhra and Tigreans. When wearing animal skins and hides, the dancers are usually representing the south or west. The southernmost part however they wear bright colors with multiple patterns and designs, and the males are additionally wearing fur hats. All in all everyone usually wears an extra garment that looks like a cloth belt in which they dance with.
Modern Adaptations and Preservation
Even some people in Europe and America are learning Ethiopian traditional dances on their own. Today, many Ethiopian traditional dances are also seen in places like the Fendika Cultural Center in Addis Ababa, shared in concerts outside of the country, and incorporated into modern dance styles. With social media sharing dance performances, younger Ethiopians in the city are becoming more aware of the art form and are encouraged to try traditional dancing for themselves.
Challenges and the Future of Ethiopian Dance
Traditional dance seems to be facing many hurdles. Customarily, in many African cultures, and Ethiopia as well, artistic jobs like dance have been misunderstood, if not outright rejected. It is in that environment that Melaku has been operating. “The problem lies with the way traditional dance is perceived, not just by the general public, but by the government,” he argues. “There isn’t a governmental protection for traditional dance. The people in charge of the country’s cultural and historical profiles agree.
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